A Look Back at 2024

A Celebration of Impressionism and French-American Friendship

January

AFMO launched its 2024 events program in Paris with a private guided tour of the Musée de l’Orangerie’s Amedeo Modigliani. A painter and his dealer curated by Cécile Girardeau.

AFMO members next enjoyed a before-hours guided tour of the Musée d’Orsay’s sensational exhibition, Van Gogh in Auvers-sur-Oise. The final months, curated by Emmanuel Coquery and Nienke Bakker. Devoted to the works which Vincent Van Gogh produced during the last two months of his life, the exhibition would break the Musée d’Orsay’s attendance records, becoming most-visited in the Museum’s history.

On January 22, the Fondation Azzedine Alaïa welcomed AFMO members for a tour, led by art historian Ingrid Held, of Alaïa/Grès. Beyond fashion. The exhibition, curated by Olivier Saillard, placed the works of Azzedine Alaïa and Madame Grès in dialogue with one another, celebrated the vision and craftsmanship of the two influential designers.

All images © AFMO

February

The Museum of Modern Art in New York hosted AFMO’s first USA-based event of the year: a tour of Picasso in Fontainebleau led by Curator Anne Umland. Part of the international Picasso Celebration 1973–2023 and supported by the Musée National Picasso–Paris, the exhibition featured rare photographs of the artist’s Fontainebleau studio as well as the monumental works Three Women at the Spring and Three Musicians.

In Paris, art historian Anne Catherine Abecassis led AFMO members on tour of the Musée d’Orsay’s permanent collection on the theme “The Forerunners of Impressionism." The visit, held while the museum was closed to the public, explored how Delacroix, the Barbizon painters, and the realists led by Courbet and Manet paved the road for Impressionism.

On February 12, art historian Ingrid Held guided AFMO members through the Musée Marmottan Monet’s exhibition Berthe Morisot and the Art of the 18th Century, curated by Marianne Mathieu and Dominique d’Arnoult. The exhibition contextualizes Morisot’s oeuvre by highlighting the links between her work and that of masters such as Watteau, Boucher, and Fragonard.

All images © AFMO

March

AFMO’s plentiful March events program began in Paris on March 4 with a private Patron Pass Tour of the Fondation Louis Vuitton’s Mark Rothko retrospective. Tracing the artist’s entire career—from his earliest figurative paintings to the abstract works for which he remains known—the exhibition brought together some 115 works from the largest international institutional collections.

In New York, AFMO members were invited to explore the Solomon R. Guggenheim Museum’s Thannhauser Collection. Comprising works by Edgar Degas, Édouard Manet, Vincent van Gogh, Pablo Picasso, among others, the Collection offers an important survey of late 19th- and early 20th-century modernism.

AFMO patrons in Paris enjoyed a special visit to the Salon du dessin at Palais Brongniart. The highly-regarded international fair showcases over 1000 exceptional artworks, from ancient drawings to contemporary works.

The Musée de l’Orangerie’s Spring exhibition opened on March 6. Curated by Claire Bernardi and Guillaume Fabius, Robert Ryman: The act of looking, explored the American artist’s distinctive, minimalist style and highlighted key themes such as surface, limit, space, light, and duration. Guillaume Fabius led the first of two Patron Pass Tours of the exhibition on March 26.

March 12 saw the opening of the Musée d’Orsay’s vibrant contemporary art exhibition, Nathanaëlle Herbelin. Being here is a splendor. The vibrant exhibition, proudly supported by AFMO, demonstrates how the Franco-Israeli artist’s subtle brushstrokes, chromatic palette, and her choice of motifs echo those of the Nabis.

The close of March brought the opening of the Musée d’Orsay’s highly-anticipated Spring exhibition, Paris 1874. Inventing Impressionism, which celebrated the 150th anniversary of the birth of Impressionism.

All images © AFMO

April

In conjunction with the opening of the Paris 1874. Inventing Impressionism, AFMO launched its celebratory Impressionist season, in honor of the milestone. This Impressionist-inspired event program began in New York with a dual voice private tour of the Metropolitan Museum of Art’s Impressionist Collection with art historians Flavie Durand-Ruel, great-great-granddaughter of Paul Durand-Ruel, and Kathryn Galitz.

At the Petit Palais, AFMO guests enjoyed a private tour of the museum’s Spring exhibition, Théodore Rousseau. The voice of the forest, led by Servane Dargnies-de Vitry, curator of Paintings at the Musée d'Orsay.

On April 22, AFMO patrons enjoyed the first of several private, guided tours of the Paris 1874. Inventing Impressionism exhibition. Curator Anne Robbins offered the group a fresh perspective on the first Impressionist salon, organized by the Société anonyme coopérative des artistes peintres, sculpteurs et graveurs, which launched the Impressionist movement in a rapidly-changing world.

Also in April, The Grand Palais Éphémère welcomed AFMO guests to the 26th edition of the Art Paris art fair which showcased 136 modern and contemporary art galleries from 25 countries.

All images © AFMO

May

May greeted AFMO patrons in New York with fine weather and a visit to the Frieze art fair. Hosted again at The Shed in Manhattan, the fair brought together more than 60 galleries from 25 countries and offered a snapshot of the world’s leading contemporary art, including some of the most sought-after established and emerging artists.

In Paris, the Impressionist season continued with tours of Robert Ryman: The act of looking at the Musée de l’Orangerie and Paris 1874. Inventing Impressionism at the Musée d’Orsay.

The cornerstone of AFMO’s May program was a festive multi-day celebration of Impressionism, which began on May 5 with an exclusive cocktail and dinner at the Orsay in support of the Museum and its Paris 1874 exhibition. This fundraising evening afforded guests a private visit to Paris 1874. Inventing Impressionism and featured an elegant cocktail and dinner created by Alain Ducasse’s team.

The following day, a group of AFMO patrons embarked on a six-day trip to Normandy, arriving first in Honfleur, the hometown of Eugène Boudin, and settled at La Ferme Saint-Siméon, a farmhouse once beloved by many 19th-century painters, including Monet, Sisley, and Courbet. After tracing Boudin’s steps with a walk along Vieux-Bassin, the Old Harbor, guests were treated to an insightful private tour of the Musée Eugène Boudin, led by Stéphane Guégan, curator and scientific advisor to the President of Musées d’Orsay et l’Orangerie. Guests met the owners of the Maison Drouin distillery, where they experienced the living heritage of cider- and calvados-making.

Continuing the journey through Normandy, AFMO patrons were welcomed in Le Havre by Géraldine Lefebvre, director of the Musée d’art moderne André Malraux (MuMA). They toured the harbor site where Monet painted his emblematic Impression, soleil levant and gleaned insights into the artist’s life and inspirations by visiting Villa Le Coteau, his aunt’s home, and “Le Bout du Monde” —locations immortalized in his paintings. A visit to Le Havre delved into the city’s poignant history, notably its post-WWII reconstruction led by Auguste Perret, the architect whose innovative use of concrete reshaped the war-torn city, which today is recognized as a UNESCO World Heritage Site. Perret’s iconic Église Saint-Joseph stands as a beacon of hope and rebirth for the city. Guests stopped in Deauville to visit Les Franciscaines, a unique museum, media library, and concert hall which provided the perfect backdrop for the remarkable exhibition Zao Wou-Ki – Alleys of Another World featuring the triptych Hommage à Claude Monet. Heading west, AFMO guests stopped at Bayeux where they viewed the famed medieval Bayeux Tapestry and admired the architecture of the city so pivotal to the events following D-Day in 1944.

The trip’s most solemn moment took place at Colleville-sur-Mer, where guests paid tribute to the bravery and sacrifices of the soldiers at the Normandy American Cemetery. Established by the US First Army and managed by the American Battle Monuments Commission, the American Cemetery stands as a solemn tribute to the valor and sacrifice of those who fought in World War II.

That night, in celebration of French-American friendship, hosts Nicolas and Diane hosted an elegant dinner in their 18th century château in the Cotentin bocage. The following morning, the group headed to Sainte-Mère-Eglise, home to the Airborne Museum and famous for the paratrooper who landed on the bell tower in the early hours of June 6. The day ended with a stroll on Utah Beach, followed by a tour of its museum and a stop at Angoville-au-Plain whose church was turned into an aid station on D-Day. Its benches still bear the blood stains of the wounded 80 years later. A final moving note to end a very special trip to Normandy.

All images © AFMO

June

AFMO’s June event program began with a before-hours Patron Pass Tour of the Fondation Louis Vuitton’s spring exhibition, Matisse: the Red Studio, which explores the artist’s depiction of his Issy-les-Moulineaux workplace. Guests also toured Ellsworth Kelly. Shapes and Colors, 1949-2015, a bold showcase of the work of one of the most significant American abstract painters and sculptors.

On June 12, 2024, AFMO hosted its annual Springtime Open House at the Musée d’Orsay in celebration of French-American friendship. As part of the special evening, the guests enjoyed a private viewing of the celebratory exhibition Paris 1874. Inventing Impressionism at the Musée d’Orsay.

The following day, AFMO members embarked on a series of day-trips to Normandy. The Day in Le Havre followed in Monet’s footsteps, visiting the coastal town where the artist spent his childhood and was inspired to create works such as Impression, soleil levant. The trip included a visit to Église Saint-Joseph and Auguste Perret’s show apartment, as well as a curator-led tour of MuMA’s newest exhibition, Photographier en Normandie (1840-1890). Un dialogue pionnier entre les arts.

AFMO’s Day in Rouen explored l’Abbaye de Jumièges, where guests were welcomed by artist Laurent Grasso whose work Cloud Theory was recently installed there. Guests went on to visit Rouen’s cathedral, the rarely-opened Monet’s studio, and the Musée des Beaux-Arts’ special exhibitions: Whistler, the Butterfly Effect and David Hockney Normandism.

All images © AFMO

July/August

All the world’s eyes were on Paris during the summer of 2024, as the city hosted the Olympic games. The Musée d’Orsay remained open during the festivities, celebrating the occasion with an exhibition Around the 1900 Olympic Games: sport and ideal.

Mathieu Lehanneur, designer of the Olympic torch and the illuminated “flying cauldron,” also transformed Musée d'Orsay’s clock room into into a temporary hotel room. In October, patrons of AFMO’s Weekend in Paris fundraiser would have an opportunity to engage the designer in conversation as part of the event’s program offerings.

AFMO guests were also invited to tour the Musée Marmottan Monet’s exhibition, En Jeu! Artists and Sport (1870-1930), which showcased how sportsmanship was made into an icon of modernity and the avant-garde.

All images © AFMO

September

AFMO’s autumn program kicked off in New York, where AFMO Patrons were invited to attend the VIP Preview Day of the Armory Show at the Javits Center. Hosting more than 235 galleries from 35 countries, the fair offered a comprehensive view of the contemporary art world.

In Paris, AFMO members enjoyed an exclusive curator-led tour of the Château de Versailles’ grand exhibition, Horse in Majesty – At the Heart of a Civilization, dedicated to horse and equestrian civilization in Europe.

Later that week, patrons explored the Musée d’Orsay’s permanent decorative arts collection, which offers a wide-ranging overview of decorative arts from the eclecticism of the Second Empire to the elegance of Art Nouveau.

On September 26, the Musée d’Orsay welcomed the public to its autumn exhibition, Harriet Backer (1845-1932) The music of color, which showcases the rich, luminous work of Norway’s most renowned female painters. Inspired by both the realist movement and the Impressionists, Backer developed a highly personal style that blended intimate interior scenes with open-air painting. AFMO hosted the first of two exclusive, before-hours Patron Pass Tours November 4th and December 9th.

All images © AFMO

October

Every October, AFMO hosts its annual benefit Weekend in Paris in support of the Musées d’Orsay et de l’Orangerie. The 2024 edition, which served as the culmination of AFMO’s Impressionist season, drew more than 200 art enthusiasts from across the world.

The weekend opened on Thursday, October 17 with an intimate cocktail and private viewing of the Orangerie’s collection, including the acclaimed autumn exhibition Heinz Berggruen. A dealer and his collection, followed on Friday by a private lunch at the château de Bagatelle and an evening cocktail at the Residence of the US Ambassador. Participants chose from a diverse program of private conversations, experiences, and visits which celebrated fine art, creation, savoir-faire, and heritage. Other highlights of the weekend included

  • unique private access to the Musee d’Orsay’s successful exhibitions Caillebotte. Painting men and Harriet Backer (1845-1932). The music of color and curatorial tours of the archives at the Fondation Custodia

  • tours of Villa Windsor, Château de Bagatelle, Château de Versailles, Hôtel Guénégaud, and Maison Caillebotte

  • visits to Atelier Lefèvre, Poilâne, and Maison Chaumet

  • conversations with Mathieu Lehanneur, Inès de la Fressange, Cecilia Fiorini and Sophie Gachet

  • cooking experiences at École Ducasse and Le Cordon Bleu

  • art fairs and galleries, including Art Basel Paris. Design Miami, Asia NOW, Gurr Johns, and Clémentine de La Feronnière

On Saturday, 220 patrons and art-lovers gathered at the Musée d’Orsay for an elegant Gala Evening inspired by Gustave Caillebotte’s white canvas and palette. White and mirrored tables created a play on light and color, which was further accented by the monochromatic dishes created by Alain Ducasse and his team.

All images © François-Xavier Watine/WebStyleStory

November

In November, AFMO had the privilege of hosting a diverse series of events for our patrons. In Paris, guests enjoyed two guided visits at the newly-reopened Grand Palais: the 2024 editions of Paris Photo and Fine Art Biennale (FAB) Paris.

At the Musée d’Orsay, AFMO offered additional Patron Pass tours of Harriet Backer (1845-1932). The music of colors and Caillebotte. Painting men. A moment of reflection followed as we paid our respects at the Lafayette Escadrille Memorial Cemetery, honoring the legacy of the American volunteers who served during World War II.

In New York, the Neue Galerie welcomed AFMO members to view its acclaimed Egon Schiele: Living Landscapes, which explored the importance of landscape in the artist's work.

All images © AFMO

December

AFMO’s 2024 program closed with visits to two special exhibitions scheduled to close in January 2025: the Musée de l’Orangerie’s Heinz Berggruen. A Dealer and his collection which ends on January 27, and the Musée d’Orsay’s Harriet Backer (1845-1932). The music of colors, which closes January 12.

Also in December, AFMO announced its support for the expanded bilingual Holidays at the Orsay (Les vacances à Orsay) program for budding artists and art amateurs, to be held throughout 2025 during school holidays and the summer break. Each workshop focuses on a theme, such as nature, which children will explore through a range of entertaining and creative activities inspired by the Museum and its collections.

All images © AFMO